The painting John Ashbery was referring to in his 1975 poem “Sef-portrait in a Convex Mirror”…
Of the origin of Francesco Parmigianino’s “Self-Portrait in a Convex Mirror,” 16th century painter and art historian Giorgio Vasari wrote: “He began to draw himself as he appeared in a barber’s convex glass. He had a ball of wood made at a turner’s and divided in half, and on this he set himself to paint all that he saw in the glass. Because the mirror enlarged everything that was near and diminished what was distant, he painted the hand a little large.”
Four centuries later, poet John Ashbery took up the painting in the title poem of his Pulitzer Prize-winning book Self Portrait in a Convex Mirror:
As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises.
Ashbery’s ecphrastic poetry is unique because, as poet David Lehman has remarked, Ashbery uses specific paintings “as points of departure that discover themselves by meditating on objets d’art, and thus displacing them. . . . Gazing at the painting, the poet comes virtually to inhabit its room, to make its quarters his own.”
– See more at: http://www.poets.org/viewmedia.php/prmMID/5926
Not sure about the hair… but: Nice Jacket!!